An Interview With ThisIsHowIWasteTime

Today we have an author interview! This is ThisIsHowIWasteTime, who has graciously agreed that I may call her Jen. Both Jen and I are part of #51writers on twitter, which has brought us together for this lovely conversation. Jen tweets and blogs and today she talks to me!

1. Welcome, Jen. Tell me a little about yourself:

Let’s see, I’m almost 28. I’m a CNA by day and have been for twelve years. I’ve told stories all my life but really got into writing at the age of nine, my first “book” being a Goosebumps style story about a rose that killed people who moved into the house it belonged to (horrible I know, haha)

I strayed away from writing in high school when I started my career and hadn’t picked it up other than writing random story ideas that I never stuck with until my current project.

I have a soon-to-be 8 year old boy, 2 cats, and one very weird pup. In my spare time, I am a hobbyist and have many many creative projects going aside from my book. Crochet, sketching, dabbled in jewelry making, and many more that I want to try.

2. Fantastic. And what do you write now? What is your WIP about?

Ever since I could read I’ve chosen Fantasy, I tried other genres but it was a struggle not to abandon them. I always had a pull towards the worlds and creatures you could find in Fantasy novels/series/art! Actually I always turned to Fantasy books to escape stress/emotional moments. Still do!

My novel is a New Adult Fantasy novel, kind of a mix between Astral Projection/family magic/spirit world. With innocent souls, horrid demons, and a rogue team member. Grace comes back home from college when her mom goes into a mysterious coma, only to find out that her family has special gifts passed down through generations. Along with six other families, they’ve been tasked with protecting innocent souls (living or dead) in the Veil. However the circle broke years ago and went into hiding when the Gatekeeper went rogue. Now he’s back and coming after the rest of the circle. Grace and the others have to find a way to take him out and save her mom and all of the other souls before catches all of them.

3. What genres do you like to read, but NOT write?

Hm, I like to read SOME mystery/romance books. Or New Adult dystopian. Not many others can keep my attention and you could say horror but I have considered dabbling in horror for future projects- not fully set on that.

4. And another reading question! We met via #51writers, a hash tag for and about strong female characters. Who’s your favorite strong female character?

I might have to think about this question, there are so many options. I’ve read so many books that it’s hard to decide. How about you?

Right now, Wonder Woman! Alanna made a big impact on my teenhood, too.

Always Wonder Woman! Or Hermione Granger, I don’t think Harry would have gotten very far without her.

So true.

I was never a fan of the whole damsel in distress scenarios so most of the books I’ve read had stronger female characters.

5. Okay, second to last question. What do you do to keep yourself writing?

I read or do something creative, when I get stuck or when I’m having trouble getting motivated. Just to get the creative juices flowing.

6.  And the final question: if you could give younger you one piece of writing advice, what would it be?

I would tell my younger self “Don’t stop!!!” I shied away from writing and I would probably be a lot farther had I kept going. Now, coming back into writing with all of the technology that it entails, I’m trying to remember everything I learned about writing and trying to learn all of the new information. It’s tough, and a little degrading at times.

Jen, aka ThisIsHowIWasteTime, thank you so much for joining me. I hope that we have a lot of fun on the #51writers hashtag. For everyone else, you can find Jen at her blog, or on twitter. Read her fantasy and enjoy!

Agent Acquired!

Hello everybody. Long time no see. I doubt anyone’s been languishing at my sorry lack of posts, considering the world bursting into flames and all, but I need to get away from Twitter-space and I’m still not done processing the whole procedure, so what the hell – I’ve got an agent! A real literary agent with an agency and a track record and great ideas for my book and stuff!

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I’ve blabbered a little bit about my novel before, so I thought I’d skip that blabber and go straight to the blabber about my querying experience. There were things I did that, in hindsight, were an excellent idea and I would recommend to queriers. And things I did that were definitely not so excellent.

I actually started my querying process by entering contests. The first five pages contest and the first line contest, held by Adventures in YA Publishing, helped me hone my work on a detailed basis and got me in the door with a couple of agents. PitchWars got me fantastic feedback from amazing people, and PitchSlam did the same – and put me into contact with the inestimable Kurestin Armada, who now represents me. Contests are ways to connect with other writers and get honest, helpful feedback about your work. Every contest I entered, I got some kind of feedback from at least one of the judges, even if I didn’t ‘win’ or ‘place’ or even make it past the first round. I would heartily recommend that  queriers start with contests to help make their submission material shine. Other authors have also found critique partners through contests – so you never know what you’ll get out of it!

After PitchSlam finished at the end of September, I started querying in earnest. I’m not sure why I thought this was a good idea, but I sent out a query a day. No, I don’t recommend this. It’s kind of a dumb idea. I never got a breather or the chance to analyse what worked or didn’t work about my submission materials. I researched all prospective agents in advance, and again before sending off their query, but it proved to be a big time sink and I was kind of burned out by December. I also made some dumb mistakes – I put in the wrong agent’s name at one point! – and that’s something to keep in mind, too. Maybe if I’d slowed down, I’d have caught the error. It’s important to send out queries on our schedules and not any one agent’s, but maybe not like this.

I never knew how I’d feel about an agent’s reply until I got it. Requests for more material always made me ecstatic, of course, and usually I could take rejections on requested material with optimism and a healthy dose of perspective. Form rejections sometimes stung me, especially when I queried agents who had a manuscript wish list that included my exact novel concept. Many agents say that a rejection has less to do with the author than the agent. Maybe they just don’t connect with the writing, or can’t bear to ask for more work when they’ve got a lot piling up already. That was what I tried to focus on as I prepared the next query, and the next, and the next.

Some people will say that the opposite of love is indifference; I think that’s why some form rejections (or no responses) hit writers so hard.

I thought the hard part of my journey would be over once I got an offer of representation. Other stories of querying and representation that I read made everything seem so simple, like I’d get some lightning bolt when the right agent called. That so not happened. I got multiple offers of representation, all from agents that I would have been ecstatic to say represented me.

To any agents that might read this, y’all are a classy bunch. I never had an unpleasant interaction with any agent at any point in the process, and trying to choose a first among equals left my head spinning more than once. But when I got a chance to settle down and think things through, point by point, Kurestin shared my vision for the book and suggested revisions that filled me with energy and enthusiasm. I’m stoked to have signed with her and I can’t wait to share the rest of the journey – just as soon as it happens!

 

 

 

Why I’m not doing Nanowrimo

No, this is not a screed against Nanowrimo. It’s not about how literature is dying, or how Nanowrimo is the devil, or how agents hate us writers who dare to try writing 50,000 words in a month (pro tip: no they don’t).

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The Nanowrimo logo for 2016

I’ve been watching writers around me prepare for Nanowrimo this year, and I made the conscious decision not to participate fully. I’ll be doing write-ins with my husband (who’s participating in his own way) but I won’t be in it to reach 50k. Why?

Nanowrimo is a tool. I first discovered it in 2004, when I was just 17, and won that very first year. I haven’t won every year since, but winning and losing Nanowrimo has taught me a lot of things:

  1. It taught me that I can try for goals that I thought were impossible – and make them.
  2. It taught me that sometimes you just keep pushing, even if you hate your project
  3. It taught me that monthly goals are better for me than daily goals
  4. It taught me that writing is a community rather than solitary experience
  5. It taught me that completely pantsing it sucks*
*okay, okay, just for me. Sheesh.

I learned a lot about my strengths in terms of storytelling while trying Nanowrimo – largely due to getting stuck on my novel thanks to the aforementioned pantsing. I owe a lot of my writing journey to Nanowrimo. In fact, the thing I learned the most while doing Nanowrimo is what made me determine not to do Nanowrimo anymore.

Put your hand up if you’re sick of hearing ‘Don’t edit! Just write!’ Sorry, but I am.

I understand the philosophy behind it. If it works for you as a writer, then I love that it works for you. But it doesn’t work for me. Writing an entirely sucky first draft, that I know is sucky, makes the suck pile up until I can’t face it anymore. This is one thing I discovered in my Nanowrimo journey. The suck became so much that I couldn’t remember the good anymore, and I felt no desire to excavate my project once the month was over.

Conversely, once I started editing as I went, I found that even though it took longer to write my book, I felt more of an attachment to it once it was finished. I could face the suck because I also knew that some parts were less sucky, and some parts were actually all right, and some parts still made me cry.

Editing as you go is anathema to the Nanowrimo way. And, of course, some people get stuck editing the same scene so many times that they can’t move on to creating a new one. If that’s your problem, Nanowrimo is good for that. But if you have the opposite problem, you’re not alone. Nanowrimo’s not for me either.

I wish everyone who’s doing Nanowrimo this year a great month full of incredible ideas and an ever-increasing word count. I’ll be participating in word sprints and haunting the forums.

Just don’t get mad if I go back and rewrite those words right after.

Happy November!

Review: Wolf by Wolf

Trigger Warning: this contains some discussion of the holocaust and concentration camps.

Also, some mild spoilers, I guess?

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World War II is interesting from a storyteller’s perspective. It’s morbidly fascinating, full of stories that can be adapted and related over a wide number of genres. It’s good for action/adventure, a la Captain America, or can leave us with harrowing impressions of humanity and its debasement, as in Jane Yolen’s Briar Rose (one of my favorite novels as a younger person). Science fiction and fantasy have used it time and time again, and it makes a dramatic backdrop with high stakes for any romance novels. As someone who is querying a novel based off of some incredible WWII stories, I’ve sometimes been overwhelmed by the incredible truths that pop up in WWII fiction.

Wolf by Wolf, by Ryan Graudin, uses these incredible truths in the alternate history genre, mixing  in a little science fantasy to give us a different view on perspective, particularly where race and appearance are concerned.

Wolf by Wolf is set in a 1956 in which the Axis won World War II, spreading its influence through all of Europe and Asia, and down into Africa. Hitler is still alive and strong, with an iron grip over his part of the world that no one can seem to shake. But a resistance moves against him, and as part of that resistance concentration camp survivor Yael has vowed to do her part to free the world. Yael has a special ability – as a result of human experiments in the camp, she can change her appearance at will, and look like any girl in the world.

Yael’s opportunity to change the world comes in the form of a motorcycle race called the Axis Tour. All she has to do is shift into the form of Adele Wolfe, last year’s winner and the only girl to ever win the Axis Tour. If she wins the race again, she’ll get the chance to meet and kill Hitler. But the race is full of treachery, and not only does Yael have to overcome it – she has to navigate the complicated emotional waters surrounding two other contestants. Luka Lowe, a previous winner, has some kind of personal history with Adele, and Adele’s twin brother, Felix Wolfe, has entered the race to keep his sister safe.

Wolf by Wolf is an action/adventure book with light science fantasy elements concerning Yael’s skinshifting. However, it is not a light book. The action of the motorcycle race is interspersed with Yael’s history as a concentration camp inmate, escapee, and resistance fighter. For me, Graudin’s writing was highly emotional, and is one of the few books I’ve read that uses repetition to its full effectiveness. The tension wasn’t as high as I’d expected it to be for an action book, but the hook that pulls you on is Yael’s anger, her mission, her drive and subsequently her confusion as these perfect Aryan specimens, boys who grew fat off the destruction of her people, turn out to be more complicated than your average Nazi thug.

That was actually my favorite part about Wolf by Wolf. A lot of WWII based stories don’t do a lot of work with the Nazis – they’re presented as the element of pure evil. This makes it easy to cheer and feel satisfied when they get what’s coming to them. However, Graudin excellently portrays particularly Felix and Luka as products of their environment. They aren’t secretly part of the resistance (at least, not as far as we know!) and have no overt sympathies. But they are people, people who care, who try, who have lots of likable qualities. And they are Hitler Youth. I spent a large part of the book wondering what (particularly) Luka would think of Yael if he knew she was not Adele, but a Jew. I don’t know if the answer to this question is in the sequel, Blood for Blood, but I’ll bet his reaction wouldn’t be pretty.

It’s hard sometimes, to remember that while they degenerated to pure evil, your average Nazi wasn’t pure evil. We could argue the philosophies of the banality of evil all day, but I want to use just one story to illustrate my point.

I read an article some time ago, which I sadly can’t find now. It discussed the first allied excursions into concentration camps, in the days immediately following the war’s end. General Eisenhower took a tour of a camp, then sent one of his aides to the nearest town to fetch the mayor and his wife. Eisenhower had them taken on a tour as well, of the camp they’d sent prisoners to for years, a camp that had made them fat off the death of other people. The mayor and his wife took the tour in silence, went home, and killed themselves. When I read it, I began to see the disconnect – no doubt the mayor and his wife thought they were good people, good Germans, good National Socialists. Good. Perhaps to them, the people in the concentration camps weren’t people (that’s a common way to deny a person their human rights, to claim they aren’t human in the first place). But eventually, the mayor and his wife came face to face with what they’d done, what they’d been a  part of, and they couldn’t see both those truths anymore. It’s this disconnect that I read when I read Wolf by Wolf. I thought Graudin did an amazing job with it.

I also enjoyed the non-typical love triangle. I consider it a love triangle even though one side of it was fraternal love, rather than romantic love (thank God). I liked that Yael wasn’t being beset by all the boys ever, but had two boys fighting more over their perceptions of her, rather than over her. I found it to be a refreshing take.

You will like this book if: you like alternate history, action, motorcycles, or WWII.
You may not like this book if: you don’t like heavy topics such as genocide, or if you dislike a repetitive style.

Pitch Wars: #Pimp my Bio

Hello beautiful people. It’s Pitch Wars time. I’ll be entering this year with my YA fantasy, Night Witches. And as part of the Pimp My Bio program, I humbly offer this blog post for your amusement.

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My mock cover. Cover art from  left to right: Wild Blue Yonder by ALAMOSCOUT6, Dragon 01 by totmoartsstudio2, and The Serious Pilot by *Sanchiko. All images scoured from the land of Pinterest.

First things first – thanks so much to Lana Pattinson for arranging the mentee blog hop. All the mentees and their enviably fabulous bios can be found here.

Let’s do this thing.

 

Hullo.

I’m Claire. I’m a U.S. citizen living in Copenhagen, and I make my living telling stories as a tour guide. I live just outside of the city with my tall Danish husband. As our apartment building does not allow pets, we often make ridiculous cat noises at each other to fill the void. There are no ridiculous cat noises in my novel. Make of that what you will.

Some things about me:

  1. I left the US ten years ago and I haven’t lived there since (though I’ve visited my family often)
  2. I can read 4 out of 5 phases of the Ancient Egyptian language. Yes, hieroglyphs. I also speak Danish. Useful languages are for suckers.
  3. DC over Marvel. Sorry, but comic book Batman and the Sandman stole my heart when I was 16.
  4. Having said that, my favorite television show is Agent Carter. Still bitter over its cancellation.
And to make matters worse, it’s not even in the top ten for crappy newsflashes this year.

What I like to write:

  1. Fantasy. Particularly with some historical influence (not historical fantasy like Jonathan Strange and Mr. Norrell, as much as I love it, but history-inspired fantasy a lot like the work of Guy Gavriel Kay). I have very rarely written anything not fantasy.
  2. YA. I love the rawness that comes with YA. I don’t write YA exclusively but from the time I was about 8 to now, it’s been the section I gravitate toward in the bookstore.
  3. 3rd person, past tense. Nothing’s wrong with 1st person present tense, but I feel like 3rd person is missing some love in the YA section right now.

My recent favorites:

  1. Uprooted by Naomi Novik
  2. Six of Crows by Leigh Bardugo
  3. Code Name Verity by Elizabeth Wein
  4. Star-touched Queen by Roshani Chokshi

The best compliment my manuscript ever received was during the 1st 5 pages workshop for June, in which it was called a cross between Code Name Verity and the Grisha series. Yassssssssss!

My work here is done. Actually…no.

So…what will I bring to the table?

As your mentee, I will:

  1. Provide you with a polished manuscript. It’s been through 4 CPs so far. This doesn’t mean that I think it’s perfect! But it’s not a first draft anymore.
  2. Work hard. I am a borderline workaholic, and I want to make writing my full-time job. That’s only going to happen if I go for it, and go for it now. Give me an assignment and deadline, and it’ll be back in your inbox before the due date.
  3. Be clear with my goals and reasons. If I’ve done something in my MS and you don’t think it works, I will want to chat with you about what I was trying to do and how I can achieve that in a better way. But, at the same time, I will…
  4. Be willing to change. I’m not here for validation. This might sound arrogant, but I already know I’m good. I also know that I can be better, and that’s why I’m here. At the same time, I will…
  5. Be open to any and all criticism and feedback. I don’t care if it’s tough love. I don’t care if it’s just tough. If you’re working hard to make me a better writer, I’m so grateful and I respect your dedication. I want your honest input, no matter what form that takes.
  6. Work on a lifelong friendship with you. I want to engage in the writing community and I want to be in this for the long haul. I want to chat with you about the Princess Bride, Mulan (many Disney films actually, but Mulan more than most), writing troubles, awesome novels by beautiful people, and, of course, Agent Carter. And other things. But those things are always a good starting point.

 

Still with me?

You may enjoy my manuscript if you like the following:

  1. The story of the actual Night Witches. (Haven’t heard of them yet? You’re welcome.)
  2. High fantasy/dieselpunk YA
  3. Strong female characters
  4. Heavy focus on female friendships
  5. Little to no romance. Like blink-and-you’ll-miss-it romance.

 

I don’t have a reason for including this. Other than it was an awesome opening scene.

If you’re a mentor and you got this far, then I hope you read something you liked. I’m on the twits at bartlebett if you have any questions or comments. Or you can immortalize them here.

And remember the amazing other potential mentees, linked at the top of the blog!

SFFpit – a recap

June 15th: Shit shit SHIT there’s something called #SFFpit and it’s happening NEXT WEEK. I can’t do it. I’m going to do it. I’m not ready to do it. I’M GOING TO DO IT.

June 18th: Dear every writer I know – want to swap twitter pitches?

June 19th-20th: *crickets*

June 21st: Okay, no one is interested, I guess I’ll go back to being a failure at life WAIT WAIT SHIT PEOPLE ARE INTERESTED.

June 22nd: *frantically trades pitches* Ha! I totally know what I’m doing. Dammit, I’m a total failure. Why are these people so much more awesome than meeeeeee

June 23rd, 4am EST: Dum de dee, I’ll just tweetdeck all my tweets so that they activate at the right time. Then I can go about my day and be all productive.

June 23rd, 6am EST: Did it wrong. I’m going to adjust all my tweetdeck tweets.

June 23rd, 6:30am EST: Did it wrong. I’m going to adjust them back.

June 23rd, 7:25am EST: Did it wrong – you know what, I’m just going to take a walk.

June 23rd, 8am EST: THE FALCON HAS LEFT THE NEST. THE EAGLE HAS LEFT THE EYRIE. WHY AM I SAYING THESE THINGS.

June 23rd, 8:08am EST: A HEART, EEEEEEEEEEEEEEEEEEEE A HEART. I’M GOING TO GET ALL THE HEARTS.

June 23rd, the next 7 hours and 52 minutes: *crickets. No productivity is accomplished. Computer monitor is watched like a bucketful of roaches on the verge of tipping.*

June 24th: I got me a heart and it is MADE OF AWESOME.

And that, ladies and gentlemen, is how my SFFpit went. For anyone left out in the cold, take a look here.

 

Contests, workshops and pushing for sameness in an altered world

Seriously, this week.

When logging on to write a blog post, I realized I’d intended to go over my impressions of the 1st 5 pages workshop in which I participated. The workshop took place over 3 weeks, and was an intensive look at the first 1250 words of my YA fantasy manuscript. All the participants commented on each other, and each participant got an additional 3 comments from experts in the field. An agent will be commenting as well, and choosing one entry as the lucky recipient of a partial request (and hopefully a critique).

I really felt the value of this workshop, and if you’re working on a YA novel, you should definitely go for it. Getting in-depth feedback, week after week, meant that we could build on our shifting understanding of our fellow authors and their work to give (and receive) increasingly detailed feedback. This didn’t just help me improve my first five pages. I was able to make my entire first chapter tighter, and I hope that I’ll continue to keep my fellow workshoppers’ tips in mind as I go through my manuscript yet again. Thank you, my beautiful first five pages people!

My motto for this week seemed to be seize the week, because on Thursday I decided to go in for two more contests: the red light/green light competition and SFFpit on twitter.

Red light/green light is a stop-and-go competition, in which the first line of 50 finished, ready-to-query manuscripts will be put up on the web site and judged by an agent. Once she’s found 25 that she likes, she’ll look at the first 2 sentences of those 25 manuscripts. That gets boiled down to 10 entrants and their first page, which gets boiled down to 5 entrants and their pitch. I actually have no idea whether I’m in this contest; the first 50 to send in their forms get put on the web site and I won’t know if I made the cut till Thursday. But I’ll be following the contest no matter what, because I think it will provide incredible insight as to how these first isolated sentences grab readers who have never seen our work before.

SFFpit is a twitter event for science fiction and fantasy authors to pitch their finished manuscripts in 140 characters. I think I’ll be doing a separate blog post on SFFpit.

SFFpit was bowled over for me by the political news. I’ve ranted about that on my personal facebook, so I’m not going to go over that here. But when you take an emotional blow, for whatever reason, setting all that aside and working on something that seems mundane and pointless in comparison – well, it’s not easy. And seeing as I’m waiting on a few last critique partners, I didn’t want to throw myself into editing without their feedback. I needed to make something new.

I wasn’t very good at it.

However, here’s to the future, for all of us. I had a good week until Friday morning, I learned a lot, I got excited, and I connected with some fantastic writers. I’m not going to write that off.

April Submissions

Number of submissions sent in April: 2. 1 rejected and sent again, 1 written and sent for the first time.
Number of pieces on submission: 4
Number of pieces rejected: 2. 1 form, 1 very helpful rejection. I’m working with the feedback on the 2nd to improve the story and send it again.

The rough draft of my novel is finished, which means it’s time to move into edits. I have a tight deadline with my critique group so I’ve been slaving away in the train on my way to work.

March Submissions

Not so much to report on the Submissions this round. This is both good and bad.

Number of submissions sent in March: 0. I suck.
Number of pieces on submission: 4
Number of pieces rejected: 1.

The rejection actually came from a work for hire project. The people with whom I was negotiating are absolutely lovely, and said 1) that they simply didn’t feel I was right for the project and 2) they would like to keep me around to audition for another project. Of course, I’ve told applicants at my place of work that we’ll keep their applications on file, too. Maybe this is karma coming back to kick me.

At the end of the day, all a rejection means is that it’s a rejection. This is what drives writers up the wall, really.

The four submissions out have been out since December/January. My general rule is that the longer a submission has been out, the farther up the ladder it’s gotten. One piece has been shortlisted (hooray!).